Time in the Elegiac Poetry of I. Brodsky and R. Kharis: to the Problem of Differences

This article is devoted to a comparative study of elegy and elegiac works I.Brodsky R.Kharis in the aspect category time as most important architectonics content genre. The actual basis formed by such well-known Brodsky “Almost elegy”, “Roman elegies”, “Autumn cry hawk” etc. elegies Tatar poet 2nd half XX - beginning XXI century: “Elegy (There blue smoke my room)”, “Seven about sense life”, “August”, ‘Cemetery dust”. conclusion made similarity type artistic thinking two authors, which based on dominance rational creativity. It stated that lyrical hero Kharis’s not opposed time, his century unlike Brodsky, who chooses point “non-occurrence” relation time; poetry taken beyond limits being. If value for author becomes natural connection phenomena things with each other, well interaction life death, then emphasizes fragmentation fragility world property its metaphysical perception (“Almost elegies”). analysis also revealed different forms transformation mode artistry multilingual works. Thus, elegies…” Kharis final part cycle differs from state “mixed feelings” necessary poetics On contrary, elegy, idea human loneliness strengthened: expansion into heaven turns it stable cosmic